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Hidden for Centuries, Portrait Discovered Under Titian Masterpiece 

A full-size replica of an unidentified man, discovered by researchers in Cyprus under the artwork of Renaissance master Titian on a 16th-century painting, the Ecce Homo, hangs at the Limassol Municipal Arts Center in Limassol, Cyprus January 30, 2025. (Reuters) 
A full-size replica of an unidentified man, discovered by researchers in Cyprus under the artwork of Renaissance master Titian on a 16th-century painting, the Ecce Homo, hangs at the Limassol Municipal Arts Center in Limassol, Cyprus January 30, 2025. (Reuters) 
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Hidden for Centuries, Portrait Discovered Under Titian Masterpiece 

A full-size replica of an unidentified man, discovered by researchers in Cyprus under the artwork of Renaissance master Titian on a 16th-century painting, the Ecce Homo, hangs at the Limassol Municipal Arts Center in Limassol, Cyprus January 30, 2025. (Reuters) 
A full-size replica of an unidentified man, discovered by researchers in Cyprus under the artwork of Renaissance master Titian on a 16th-century painting, the Ecce Homo, hangs at the Limassol Municipal Arts Center in Limassol, Cyprus January 30, 2025. (Reuters) 

Researchers in Cyprus have discovered a hidden portrait that lay undetected for centuries beneath a 1570 oil painting by Renaissance master Titian, a rendering of which is now on display in the city of Limassol.

The newly discovered work shows an unidentified man with a thin moustache, quill in hand, standing next to a stack of papers or books - a prosaic image compared to the scene of Jesus Christ, bound and wearing a crown of thorns, that Titian later painted over it.

The painting "holds a secret, and the secret is that there is, unknown until now, a painting underneath," said Professor Nikolas Bakirtzis, who leads a team at the Cyprus Institute (CyI), a non-profit educational body.

The finished artwork, called Ecce Homo - meaning "Behold, The Man" in English - shows Jesus standing next to Pontius Pilate, who presided over the last stages of Jesus' trial before he was crucified.

The painting was being prepared for conservation when researchers put it under a microscope and noticed different pigments through the craquelure, or pattern of fine cracks that form on the surface of old paintings.

"It was like uncovering a puzzle," said Bakirtzis.

Using a combination of imaging and non-invasive analytical techniques, researchers at the Andreas Pittas Art Characterization Laboratories (APAC) at CyI pieced together the full, buried portrait.

Based on the X-ray visuals, experts then created an oil painting of the man.

"It is clearly the portrait of a banker, a lawyer, some professional man in his workspace," said Bakirtzis, an art and architectural historian who is the director at APAC.

An exhibit of Titian's painting as well as a rendering of the hidden portrait opened in Limassol in late January and runs until March 10.

Born Tiziano Vecellio in 1488, Titian, together with his studio in Venice, produced hundreds of paintings until his death in 1576.

Researchers know that he re-used canvases on partially-finished work. In this instance, it was a full portrait, which he turned upside down and painted over with Ecce Homo.

"I am not aware of any case where we can safely map the direct painting of a composition over an earlier one," Bakirtzis said.

Bakirtzis believes Titian used elements of the earlier painting for the new one, including using the man's jawline to outline the ropes tying Christ's wrists.

"This shows the hand of a confident artist. The leader, the head of the studio, Titian himself ... and this is why this Ecce Homo version is the one which preserves Titian's artistry," he said.

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Culture

Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
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Saudi Heritage Commission Announces Discovery of 20 Rock Engravings in Soudah Peaks Project

The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)
The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old. (SPA)

Saudi Arabia’s Heritage Commission, in collaboration with Soudah Development, a Public Investment Fund company, announced on Tuesday the discovery of 20 ancient rock art sites within the Soudah Peaks area.

Spanning more than 636.5 square kilometers across Soudah and parts of Rijal Almaa, the project area is now recognized as home to some of the region’s oldest cultural landmarks. The newly identified sites feature inscriptions and rock carvings estimated to be between 4,000 and 5,000 years old, offering valuable insights into the region’s rich history.

The findings include Thamudic inscriptions, along with vivid depictions of ibex, hyenas, and ostriches, as well as scenes of hunters, dancers, palm trees, and weapons, reflecting the environmental and social practices of the ancient communities that once inhabited the area.

The survey forms part of a memorandum of understanding signed between the Heritage Commission and Soudah Development. Conducted in four scientific phases, the initiative began with data collection and site analysis, concluding with the documentation and classification of high-value archaeological sites in preparation for future development and preservation efforts.

Soudah Development remains committed to protecting and promoting the natural and cultural heritage of the project area. The company continues to work towards creating an integrated cultural and tourism experience that reflects the authenticity and historical richness of the region, in line with its vision to transform Soudah Peaks into a premier luxury mountain destination rooted in heritage.

Culture

Ancient Rome Meets Modern Technology as Tourists Visit Restored, Frescoed Home via Livestream Tours

Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
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Ancient Rome Meets Modern Technology as Tourists Visit Restored, Frescoed Home via Livestream Tours

Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)
Colosseum Archeological Park guide Valentina uses a head-mounted device to livestream a guided tour for the press of the newly-restored underground House of Griffins, dated between the II and I century B.C., on the Palatine Hill next to the Colosseum, in Rome, Tuesday, Jan. 13, 2026. (AP)

One of the best-preserved ancient Roman homes on the Palatine Hill is opening to the public for the first time, albeit via a livestreamed tour of its hard-to-reach underground frescoes and mosaics.

The House of the Griffins was first discovered during the excavations in the early 20th century of the Palatine Hill, the verdant hill that rises up from the Roman Forum and dominates views of central Rome today with its striking red brick ruins.

The hill, located just off the Colosseum, was the site of temples and homes of leading citizens during Rome’s Republican era, which is traditionally dated from 509 B.C. to 27 B.C. It became the aristocratic quarter during the Roman Empire that followed, when new palaces were built on top of the older homes.

The House of the Griffins is one of those earlier Republican-era homes, and was hidden to the world underground after the Emperor Domitian built his palace on top of it in the first century A.D.

Now for the first time, the general public can virtually visit the House of the Griffins and its newly restored frescoes, including the decoration that gives the home its name: An arched lunette fresco featuring two griffins — the half-eagle, half-lion mythological creatures.

Visitors won’t actually walk through the home’s intimate rooms, which are only accessible via a perilously steep staircase underground. Rather, visitors above ground will watch as a tour guide wearing a head-mounted smartphone descends into the domus and walks through its rooms, livestreaming the visit and narration.

The live, virtual tour serves multiple purposes: It allows visitors to “see” a domus that, because of its underground location, would otherwise be off-limits. And by limiting the number of people in its rooms, the livestreaming protects the delicate frescoes from too much humidity and carbon dioxide.

Project chief Federica Rinaldi said archaeologists don’t know much about the family who lived there, but said they were clearly well-off. The level of decoration recalls some of the elegant homes of the era in Pompeii: The frescoes feature richly colored faux marble designs, and floor mosaics of three-dimensional cubes.

“Its location at the highest point of the hill, its distribution over several levels that take advantage of the slopes of the Palatine Hill itself, and its preservation make it today an almost textbook reference," she said. “It was certainly a domus of the highest standard.”

Starting on March 3, the livestreamed tours will be held weekly, on Tuesdays, with one in Italian and one in English, though more are foreseen. Groups are limited to a dozen people and require reservations, as well as an additional ticket beyond the typical Colosseum-Palatine Hill entrance fee.

The restoration of the House of the Griffins is one of 10 projects funded by the European Union in the archaeological park and is part of an effort to spread tourists out beyond the must-see Colosseum and Forum, which often get overwhelmed with visitors.

“It’s a great occasion to value the full territory of the park,” said the head of the park, Simone Quilici.

Culture

Sudan Recovers 570 Artifacts Looted During War

Artifacts that were recovered after being looted from the National Museum in Khartoum during the country's long-running war, are displayed during an official ceremony in Port Sudan on January 13, 2026. (AFP)
Artifacts that were recovered after being looted from the National Museum in Khartoum during the country's long-running war, are displayed during an official ceremony in Port Sudan on January 13, 2026. (AFP)
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Sudan Recovers 570 Artifacts Looted During War

Artifacts that were recovered after being looted from the National Museum in Khartoum during the country's long-running war, are displayed during an official ceremony in Port Sudan on January 13, 2026. (AFP)
Artifacts that were recovered after being looted from the National Museum in Khartoum during the country's long-running war, are displayed during an official ceremony in Port Sudan on January 13, 2026. (AFP)

Sudanese authorities displayed ancient figurines, ornate vases and scarab-shaped amulets at a ceremony Tuesday in Port Sudan celebrating the recovery of more than 570 antiquities stolen from the national museum during the country's long-running war.

The artifacts, arranged on large tables under heavy security, were recovered after months of investigation and brought to the wartime capital of Port Sudan.

The National Museum in Khartoum, which housed some of Sudan's most important archaeological collections, was looted and badly damaged after the paramilitary Rapid Support Forces (RSF) seized the capital in the early days of its war with the army, its former ally.

At the time, satellite images showed trucks carrying artifacts west, towards the vast region of Darfur -- now completely under RSF control.

Since then, Sudanese authorities have worked with UNESCO and Interpol to track down the stolen items.

Authorities did not detail on Tuesday exactly how the artifacts were recovered.

"Sudan heritage is not only of national importance, it is a treasure of humanity," said UNESCO's representative in Sudan, Ahmed Junaid, referring to international efforts to combat illicit trafficking of cultural property.

"Many people do not know the value of the objects displayed on the tables, but they reflect the identity of the nation and its history," said Sudan's finance minister Gibril Ibrahim.

Khalid Aleisir, minister of information and culture, announced a "financial reward" for anyone returning antiquities to the authorities, without specifying an amount.

Officials estimate that the recovered items account for about 30 percent of the objects looted from the museum.

Still missing are the contents of the so-called "gold room", the museum's most valuable collection, which included ancient jewellery and 24-carat gold pieces, some nearly 8,000 years old.